Category Archives: music destinations

Myrtle Beach: It’s not all golf and t-shirt shops

Could there be more of a contrast between the sleepy and secluded villages of Down East and the hustle of Myrtle Beach? While the t-shirt shops and entertainment-style attractions lining Ocean Blvd. (think: Ripley’s and wax museums) are not really our style, we were able to find lots of low key and authentic experiences in the Myrtle Beach area.

We set up camp at the excellent Huntington Beach State Park, just south of the city – an amazing mix of maritime forest, marshlands and pristine beachfront.

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Almost immediately across the road is an area highlight, Brookgreen Gardens, a quiet escape from the busyness of Myrtle Beach’s Grand Strand. We took a long meditative stroll through the manicured grounds that tastefully blend art and formal gardens with a wild nature preserve across 9,100-acres of lowcountry South Carolina.

Railroad magnate Archer Milton Huntington and his wife Anna, a talented sculptor, built the gardens at Brookgreen in 1932 on land that was once a massive rice plantation. The grounds marry ponds and Southern gardens with hundreds of pieces of sculpture by some of America’s most celebrated artists.

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Between Brookgreen and Myrtle Beach is the small seaside hamlet of Murrells Inlet, famous for its fishing docks and fresh seafood. We lunched dockside at The Wicked Tuna which boasts a one-of-a-kind fresh seafood experience – if by fresh you mean that the fish comes right off the boat, and is handed directly into coolers in the restaurant’s ground floor.

Chef Dylan Foster knows he’s got a good thing going. “Benefit is, we control the quality of the fish right from the ocean to the restaurant. It can be fished in the morning and on the plate for lunch. It’s ocean to table.”

We had the day’s local catch: delish blackened mahi mahi tacos served with guacamole, tomatillo salsa and topped with a crispy house slaw.

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In town, a stone’s throw from the ocean-hugging Boardwalk, we sat down with Victor Shamah, owner of a Myrtle Beach music institution, The Bowery. Trademarked as “the eighth wonder of the world” it’s surely one of the last authentic honky-tonks in the lower 48.

“The Bowery is an old fashioned draft beer joint,” explained Vic, the owner for the last 34 years. “We sell just live music and draft beer. Alabama was our house band from 1973 to 1980 – they started here. They added country rock with a little more of a beat to it.”

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It’s not uncommon for visitors like singer Mark Chestnut to walk out of the audience to join today’s house band for a song or two. And the boys from Alabama stop by on a regular basis. The Bowery is that kind of place. The music fires up around 8:30 pm and goes steadily until 1:30 am or later – no breaks. And the band plays everything requested by the audience, which means that in a very short period of time a band has learned – on the bandstand – a huge repertoire of music if they want to keep their gig. Regulars have been walking through the front doors for 30 or more years. It’s a one-of-a-kind honky-tonk where you come if you love live music and its particular blend of atmosphere and tap beer.

Just down the main street, the massive SkyWheel revolves to heights 187 feet above the Boardwalk, with views well up and down the Atlantic coastline. It was well worth the ride because things always make more sense when seen from above. For those with acrophobia, there’s a panic button installed in the ceiling of each separate compartment.

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Finally, we topped off the day with an evening in the cushy seats at the Alabama Theatre for an evening of live, top-shelf music and comedy. We enjoyed their current show, One, which featured a selection of number one country, Motown, Broadway and R&B hits from the 20th century. The musicianship was excellent, featuring players who have toured with the biggest names in popular music, the singing and dancing were first rate and the comedy had the whole auditorium laughing at themselves and each other.

The next day, on the way out of town and headed down Highway 17 toward Charleston, we took a break at Pawleys Island Hammock Shops – a cluster of 22 household and gift stores best known for the original manufacturing site of the famous Pawleys Island hammock.

Had to take a break to check out the merchandise.

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Music Trails: Mississippi Blues

It was a long, intense trip – six weeks and 9,000 km exploring the roots of American music across the Southeast. By the end, it had been like following one long, serpentine music trail and we began to appreciate how the various musical genres were intertwined and cross-influenced. Craig’s fingers got a workout on his guitar, as he jammed and played with the talented musicians from old-time to Zydeco to the Delta blues. We had the time of our lives.

MISSISSIPPI BLUES TRAIL

All across the state are markers for the Mississippi Blues Trail, telling the story of powerhouses like Elmore James, John Lee Hooker, Ike Turner, Howlin’ Wolf and Sam Cooke who defined the blues, giving it legs for its journey into the mainstream.

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Best musical stops: Clarksdale, B.B. King Museum, Po’ Monkeys, Elvis Birthplace Museum, Delta Blues Museum, Highway 61 Blues Museum, Cat Head Blues & Folk Art, Red’s Lounge, The Blues Archive at The University of Mississippi (Oxford)

Backstory: America’s great gift to human civilization (blues and its little brother, jazz) was born from its greatest shame: slavery. The importation of blacks from Africa and their brutal treatment – coupled to their exposure to European and South American traditions – birthed the field hollers and work songs.

And life in Mississippi – the life from which the blues emerged – was particularly harsh for the slaves who sang in the fields or in prison to distract themselves from the brutality and boredom of their existence, and consoled each other on the Sabbath Day. It’s this fusion of reflection on the real world with longing for the next, that Mississippi bequeathed to the world – and which became the basis for gospel, rock ’n’ roll, soul, Motown and much of 20th-century popular music as it migrated to Memphis, Kansas City, Chicago and eventually the rest of the planet.

If you love the blues, you really need to go to the well, to the source: to the Crossroads at Highways 49 and 61 at Clarksdale in the Mississippi Delta, where myth says Robert Johnson sold his soul to the Devil for guitar mastery. Every April, Clarksdale hosts the Juke Joint Festival,  half music festival, half small town fair and all about the Delta. The last survivors of the original blues tradition – before it travelled north to assume its Chicago style – play on the sidewalks and in the small juke joints. But hurry: there are not many of the original bluesmen left as the relentless passage of time carries them off the stage of history.

You really can’t fathom the blues without coming to grips with the human suffering associated with this region. Large swaths of the Delta were made possible by enormous serpentine levees to hold back the water of the Mississippi, virtually all constructed in the harshest conditions by generations of African-American slaves. Greenville, Mississippi, was the epicentre of the catastrophic 1927 levee breach that devastated the economy and people of the Delta, forcing the out-migration of thousands of sharecroppers to the north in search of high ground and jobs. The town’s 1927 Flood Museum tells – through a combination of artifacts, photographs and video – of the flood’s impact on life and death during the four months Greenville, and much of the Mississippi Delta, was underwater.

As blues museums go, the best we saw was the B.B. King Museum and Delta Interpretive Center in Indianola. Because he’s still alive – and still gigging – the museum is overflowing with artifacts from B.B.’s long history on the road, in the studio and as America’s emissary of the blues. For added effect, the Center is built onto a former cotton gin where young Riley B. King ran a tractor before breaking into the blues. It’s a grand story that needs several hours to absorb.

Back in Clarksdale, the excellent Delta Blues Museum is only steps from two authentic blues joints: Ground Zero Blues Club (co-owned by actor Morgan Freeman) and Red’s Lounge. Both are gritty but authentic: as true to the blues as blues is to the life of the Delta. Billy Gibbons – leader of ZZ Top – has taken a role in perpetuating the legacy of Muddy Waters, a Delta bluesman who made his career in Chicago, contributing a guitar fashioned out of a board from Waters’ childhood home, which is reconstructed inside the museum.

The authentic roots of the blues are everywhere across the Delta: at places like Dockery Farms where it’s said that B.B. King claims “it all started,” at the remains of original juke joints like Po’ Monkeys still standing in a cotton field outside Merigold, and in the Mississippi town of Tupelo, home of Elvis Presley who was heavily influenced by the Delta blues that surrounded him as a child. Tupelo is filled with Elvis highlights: the shotgun shack he was born in, the family church where he learned his love of gospel music, the hardware store where he bought his first guitar, the burger joint where he hung out after school and the excellent Elvis Presley Birthplace museum (in our opinion, even better and more authentic than glitzy Graceland in Memphis). Elvis’s mammoth contribution to music was how he sanitized African-American music for white people, blurring the lines between the roots music of blues, country, bluegrass, rockabilly and gospel (and in the process, birthing rock ‘n’ roll).

At The University of Mississippi in Oxford, The Blues Archive project took off when B.B. King contributed his 8,000 volume record collection. Call ahead to ask archivist Greg Johnson to pull something of interest from the impressive stacks – they’ve got material that has never been posted on YouTube or on the web, rare concert footage, interview tapes, original Robert Johnson 78s and sound recordings in formats from wax cylinders to DVD.

Classic artists and tunes:
Hoochie Coochie Man, Muddy Waters

Dust My Broom, Elmore James
Crossroad Blues, Robert Johnson
The Thrill Is Gone, B.B. King

Musician’s glossary

SOME TERMS TO HELP IT MAKE SENSE

Musicians share a vernacular specific to the profession and its idiosyncratic qualities, late nights, quirky stage experiences, etc.

GIG: the job. The word has migrated into other professions associated with the arts but not just the arts. Gig also refers to the specific venue – in fact, “see you on the gig” usually means “see you on the bandstand” or “see you at the bar” or wherever the gig is going down or happening.

DOWNBEAT: the first beat of music of the first song of the night, also the name of a jazz magazine. This term is more often used in jazz than other forms. So when you’re talking to a ‘cat’ about his upcoming ‘gig’ – and you want to be there for the start of the show – you ask, “Hey daddy, what time is downbeat?”

BACKBEAT: the 2 and the 4 beat in a standard measure of popular music, where the snare drums falls in the rhythm track. When you find yourself clapping along to blues or jazz music, it’s the backbeat that you’re clapping along with – which is different from celtic or old time Irish music which is more likely to feature the 1 and the 3.

TRAINWRECK: a musical crash or mishap. Usually only egos are bruised and the more spectacular the trainwreck the more likely it is to enter the realm of lore going forward for the attending musicians to be forever memorialized in stories and jokes. For real music fans, trainwrecks are the equivalent of multi-car accidents in NASCAR minus the fire, death and car parts. For musicians, what matters most is not the scale of the trainwreck – epic or minor – but the finese of the recovery. Many small trainwrecks happen in the course of a given gig without the audience catching on. Only trained observers know how to decode the non-verbal language of a successfully overcome trainwreck.

HOTDOG: a musician who can’t hear enough of himself solo – also called “hotdogging.” Usually a term of derision as in “nice gig but an awful lot of hotdogging.” Being a hotdog is not cool, unless you’re a “monster.”

MONSTER: a player of outsized talent or skill, usually a compliment, as in “he’s a monster bassist.” Monsters can get away with a lot because they have been touched by the music gods. Every musician knows a monster that is beyond rehearsal or practice or discipline, who just has the gift.

STANDARD, or JAZZ STANDARD: a song from the big book of American jazz and pop associated with the glorious 20th century of songs created for Broadway, Hollywood, Tin Pan Alley and the big bands of the post-war era. A song becomes a ‘standard’ when it has been recorded a sufficient number of times by a sufficient number of A-list artists – but there is no definition of how many recordings by which artists elevates a song to ‘standard’ status.

TRIO: a verse and chorus in which the rhythm section drops out of the song to make way for all the soloists soloing at once. Often used in traditional or old time Dixieland music. The effect causes the audience to begin clapping on the backbeat and smiling involuntarily.

Road tune playlist

This is bound to be highly subjective since it depends on the road, region, and mood you’re trying to evoke. Take these as suggestions and please offer other worthies.

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So, in no particular order . . .

Running On Empty, JACKSON BROWNE
Route 66, NAT KING COLE
Reach Out (I’ll Be There), THE FOUR TOPS
Take It Easy, EAGLES (*check out the actual corner at the town of Winslow, AZ)
In Memory of Elizabeth Reed, THE ALLMAN BROTHERS BAND
Born To Run, BRUCE SPRINGSTEEN
I Walk The Line, JOHNNY CASH
Sugar Pie Honey Bunch, THE TEMPTATIONS
Cinnamon Girl, NEIL YOUNG
Graceland, PAUL SIMON
Sailin’ Cross The Devil’s Sea, THE ALLMAN BROTHERS BAND
Roll On Down The Highway, BACHMAN-TURNER OVERDRIVE
Blue Suede Shoes, CARL PERKINS
Good Golly Miss Molly, LITTLE RICHARD
(Sitting On) The Dock Of The Bay, OTIS REDDING
Green Onions, BOOKER T. & THE M.G.s
Heatwave (Your Love Is Like A), MARTHA AND THE VANDELLAS
Dancing In The Streets, MARTHA AND THE VANDELLAS
Soul Man, SAM & DAVE
Highway 61 Revisited, 
BOB DYLAN
Callin’ Baton Rouge, GARTH BROOKS
The Bug, MARY CHAPIN CARPENTER
Let It Roll, LITTLE FEAT
The Way, FASTBALL
Born To Be Wild, STEPPENWOLF
On The Road Again, WILLIE NELSON
Going Up The Country, CANNED HEAT

open highway

Words on the page

Our stories and articles appear in Canadian magazines and online.

Spring and fall, we load the van – with everything from guitars to laptops – toss in a thick bundle of maps, several notebooks and roll down the road. We meet great people, gather wonderful story material and then write, write, write. Browse the links to some of our pieces in print:

BIG TRIP #1: ROOTS OF AMERICAN MUSIC: 9,000 km through the Southeast U.S.

Music Trails of the American Southeast1

BIG TRIP #2: TUNES, RUINS & STARS: 13,000 km across the American Southwest

American Southwest

BIG TRIP #3: HUGGING THE ATLANTIC COASTLINE; MUSIC INLAND: 7,064 km

Google Maps Big Trip #3 PDF-page-001

BIG TRIP #4: ROCK & ROLL: 10,950 km exploring western U.S. National Parks

 MISCELLANEOUS

RV TRAVEL, PET TRAVEL, FOOD & TRAVEL DESTINATIONS

We travel. We write. We publish.

Travels With Rigby is for web surfers who are looking for practical information on frugal RV travel, travelling with your dog (our pooch is Rigby), finding irresistible eats and sussing out music destinations. We’ve clocked the miles and visited the sights and these are the best from our travels: the who/what/when/where/why highlights for those that love music, food and the camping life.

You’ll find tips and info on:

  • Best ways to travel with your dog.
  • Foods we found irresistible.
  • Practical ways to travel by small RV.
  • Campsites and parks we’ve loved.
  • Planning realistically for gas costs, cell phone coverage, etc.

About us . . .

Travel writers. Foodies. Music lovers. Can’t go anywhere without our dog. Josephine Matyas works full-time as a freelance writer, specializing in travel and food. Craig Jones has got street cred: lots of miles on the road crisscrossing Canada as a professional musician, followed by just as many years tapping away at a computer keyboard.

We’re book authors – our award-winning book on the roots of the blues is Chasing the Blues: A Traveler’s Guide to America’s Music. Find it online or order from your favourite bookstore. For a modest shipping amount, we can also send you a signed copy – just reach out through our contact form.

We write for websites, newspapers and magazines. We also blog on this site when we are on the road. Yes, we are “old school” if that means research, writing and paying attention to grammar, quality and fact checking. But as for the platform – print and digital both. 

It’s been an experiment: Taking her expertise (travel writing) and his experience (on the bandstand, teacher and writer), stirring it together and seeing what happens. Add a camper van (a 2007 Roadtrek 210 for those who need the specs), an easy going dog, a file full of maps and a GPS/wireless backup camera nicknamed “Hal” that sometimes toys with us (we prefer the maps).

Several times a year we pack up High Cotton (the Class B RV), take the dog for her trim, top up the gas tank and hit the road for a month or two at a time. We post links to articles we’ve published (see Words) and blog short bits and pieces while we are away from Home Base (Ontario, Canada).

LISTEN TO JO’S CBC RADIO INTERVIEW ON TRAVEL IN CANADA!