Tag Archives: Mississippi blues

Finding more blues outside the Mississippi Delta

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If ever there was a pretty Southern town, it has to be Natchez, Mississippi. So, we parked ourselves there for three days, worked in the library, walked the streets and stopped in for coffee often at the excellent Steampunk Coffee Roasters. Next door is the historic blues club the historic blues club named Smoot’s Grocery. Smoot’s has received a top-to-bottom renovation and is a beautiful space for parties, get-togethers or live music. Well worth checking out if you find yourself in Natchez.


Our schedule included a “break week” when we were taking some down time on the Mississippi Gulf Cost, catching up on blues-related reading, working on the book structure and starting some chapter work. All accomplished while we stayed at Gulf Islands National Seashore near the pretty town of Ocean Springs. While there we crossed paths with a get together of about two-dozen Roadtreks and we were quickly welcomed into the fold. Thanks y’all! Looking forward to the next time.

Back to work and starting the drive northward. Our first stop was in historic Meridian (the home of The Father of Country Music, Jimmy Rogers) where we had a fascinating hour interviewing Hartley Peavey, the founder of Peavey Electronics. As a teenager he started building amps at his parents place and he is now head of a worldwide corporation producing quality musical sound systems and instruments.

On to the small town of West Point, considered the home of Howlin’ Wolf. There’s a blues marker, a small but very good museum and a very cool downtown mural.

Just a bit further into the northeast corner of Mississippi – we stopped at Tupelo. Tupelo is the hometown of Elvis Presley. He was born there and lived in East Tupelo with his parents until he was 13 years old and they moved to Memphis. They’ve done a beautiful job at the Elvis Birthplace Museum, the self-guided driving tour, at Johnnie’s Drive-In (where they have preserved an Elvis booth where he’d hang out with friends and order an RC cola and burger) and at the Tupelo Hardware, the spot his mother bought him his first guitar. Probably the best $7.75 she ever spent!

More blues than one can reasonably pack into a week!

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Here’s one of the biggest things to know about the blues and the Mississippi Delta … in this part of the state, the blues are everywhere. Many people only associate Clarksdale with the blues but there are actually many other communities with at least as rich and deep a blues pedigree as the town where Highways 49 and 61 cross.

We camped overnight at The Blue Biscuit – an Indianola restaurant and blues bar right across the road from the B.B. King Museum. Thanks to Trish – the Blue Biscuit’s friendly and welcoming owner! Then, the next morning, we drove east to Greenwood, a town with a complicated blues and civil rights history. On the way we drove into the countryside near Blue Lake to look for the birthplace marker for B.B. King, stopped at Holly Ridge to pay our respects at the grave marker for Charley Patton and detoured slightly to find the marker in Moorhead for “Where the Southern Cross the Yellow Dog” (*look that one up for a real slice of blues authenticity!).

One of the highlights of our travels has been the half-day tour of Greenwood and the blues with the personable and very knowledgeable Sylvester Hoover who runs Delta Blues Legend Tours. Sylvester took us through Baptist Town, to all three claimed gravesites of Robert Johnson (including the one accepted as the actual site at Little Zion MB Church in the countryside) and Three Forks (the site where Robert Johnson was – supposedly – poisoned). We also crossed the Tallahatchie River, the site of the Bobbie Gentry song.

In a non-blues related side trip, Sylvester took us to Bryant’s Grocery in Money, MS, to the remains of the grocery store related to the Emmett Till  story – the event they say helped spark the entire civil rights movement. It was sobering.

Overnight we camped at the quirky, unique Tallahatchie Flats – old sharecropper shacks on the outside, renovated on the inside.

The next day we attended the Sunday morning service at Little Zion MB Church and soaked up the emotional and powerful music of the gospel church choir. We’d been invited by Sylvester and his lovely wife Mary, who is one of the choir directors.

After Greenwood, we spent several days hopping to more blues sites — Bentonia (home to the Blue Front Cafe), Jackson (where we went to Hal and Mal’s to hear King Edward – Craig subbed in on bass with the pre-show band), Hazlehurst (Robert Johnson’s birthplace and home to the Mississippi Music Hall of Fame), across the Mississippi River to Ferriday, LA and the Delta Music Museum.

We settled for several days in beautiful Natchez, MS – at the height of the cotton era, this small town was home to half the millionaires in America. We’ll write more about Natchez in the next post, as there is lots to talk about there. We made new friends, drank some of the best coffee ever (Steampunk Coffee Roasters), went to a community literary talk, dined by the Mississippi River and walked the streets of this lovely town. More on all that next time.

Music Trails: Mississippi Blues

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It was a long, intense trip – six weeks and 9,000 km exploring the roots of American music across the Southeast. By the end, it had been like following one long, serpentine music trail and we began to appreciate how the various musical genres were intertwined and cross-influenced. Craig’s fingers got a workout on his guitar, as he jammed and played with the talented musicians from old-time to Zydeco to the Delta blues. We had the time of our lives.

MISSISSIPPI BLUES TRAIL

All across the state are markers for the Mississippi Blues Trail, telling the story of powerhouses like Elmore James, John Lee Hooker, Ike Turner, Howlin’ Wolf and Sam Cooke who defined the blues, giving it legs for its journey into the mainstream.

MS Blues collage final2

Best musical stops: Clarksdale, B.B. King Museum, Po’ Monkeys, Elvis Birthplace Museum, Delta Blues Museum, Highway 61 Blues Museum, Cat Head Blues & Folk Art, Red’s Lounge, The Blues Archive at The University of Mississippi (Oxford)

Backstory: America’s great gift to human civilization (blues and its little brother, jazz) was born from its greatest shame: slavery. The importation of blacks from Africa and their brutal treatment – coupled to their exposure to European and South American traditions – birthed the field hollers and work songs.

And life in Mississippi – the life from which the blues emerged – was particularly harsh for the slaves who sang in the fields or in prison to distract themselves from the brutality and boredom of their existence, and consoled each other on the Sabbath Day. It’s this fusion of reflection on the real world with longing for the next, that Mississippi bequeathed to the world – and which became the basis for gospel, rock ’n’ roll, soul, Motown and much of 20th-century popular music as it migrated to Memphis, Kansas City, Chicago and eventually the rest of the planet.

If you love the blues, you really need to go to the well, to the source: to the Crossroads at Highways 49 and 61 at Clarksdale in the Mississippi Delta, where myth says Robert Johnson sold his soul to the Devil for guitar mastery. Every April, Clarksdale hosts the Juke Joint Festival,  half music festival, half small town fair and all about the Delta. The last survivors of the original blues tradition – before it travelled north to assume its Chicago style – play on the sidewalks and in the small juke joints. But hurry: there are not many of the original bluesmen left as the relentless passage of time carries them off the stage of history.

You really can’t fathom the blues without coming to grips with the human suffering associated with this region. Large swaths of the Delta were made possible by enormous serpentine levees to hold back the water of the Mississippi, virtually all constructed in the harshest conditions by generations of African-American slaves. Greenville, Mississippi, was the epicentre of the catastrophic 1927 levee breach that devastated the economy and people of the Delta, forcing the out-migration of thousands of sharecroppers to the north in search of high ground and jobs. The town’s 1927 Flood Museum tells – through a combination of artifacts, photographs and video – of the flood’s impact on life and death during the four months Greenville, and much of the Mississippi Delta, was underwater.

As blues museums go, the best we saw was the B.B. King Museum and Delta Interpretive Center in Indianola. Because he’s still alive – and still gigging – the museum is overflowing with artifacts from B.B.’s long history on the road, in the studio and as America’s emissary of the blues. For added effect, the Center is built onto a former cotton gin where young Riley B. King ran a tractor before breaking into the blues. It’s a grand story that needs several hours to absorb.

Back in Clarksdale, the excellent Delta Blues Museum is only steps from two authentic blues joints: Ground Zero Blues Club (co-owned by actor Morgan Freeman) and Red’s Lounge. Both are gritty but authentic: as true to the blues as blues is to the life of the Delta. Billy Gibbons – leader of ZZ Top – has taken a role in perpetuating the legacy of Muddy Waters, a Delta bluesman who made his career in Chicago, contributing a guitar fashioned out of a board from Waters’ childhood home, which is reconstructed inside the museum.

The authentic roots of the blues are everywhere across the Delta: at places like Dockery Farms where it’s said that B.B. King claims “it all started,” at the remains of original juke joints like Po’ Monkeys still standing in a cotton field outside Merigold, and in the Mississippi town of Tupelo, home of Elvis Presley who was heavily influenced by the Delta blues that surrounded him as a child. Tupelo is filled with Elvis highlights: the shotgun shack he was born in, the family church where he learned his love of gospel music, the hardware store where he bought his first guitar, the burger joint where he hung out after school and the excellent Elvis Presley Birthplace museum (in our opinion, even better and more authentic than glitzy Graceland in Memphis). Elvis’s mammoth contribution to music was how he sanitized African-American music for white people, blurring the lines between the roots music of blues, country, bluegrass, rockabilly and gospel (and in the process, birthing rock ‘n’ roll).

At The University of Mississippi in Oxford, The Blues Archive project took off when B.B. King contributed his 8,000 volume record collection. Call ahead to ask archivist Greg Johnson to pull something of interest from the impressive stacks – they’ve got material that has never been posted on YouTube or on the web, rare concert footage, interview tapes, original Robert Johnson 78s and sound recordings in formats from wax cylinders to DVD.

Classic artists and tunes:
Hoochie Coochie Man, Muddy Waters
Dust My Broom, Elmore James
Crossroad Blues, Robert Johnson
The Thrill Is Gone, B.B. King